Recent reports suggest that King Charles has removed Meghan Markle’s portraits from the Royal Collection, raising significant questions about her place in royal history.

The extensive Royal Collection, which spans centuries and includes millions of items, is notably absent of any images featuring Meghan Markle, along with her children, Archie and Lilibet. This omission has sparked widespread speculation and controversy.

The removal of Meghan’s images, if confirmed, could signify a broader shift in how the royal family represents and acknowledges its members. This absence in the collection may reflect ongoing tensions within the royal household and could have implications for how future generations view the monarchy.

Visitors to the current exhibition at the King’s Gallery have expressed surprise at not finding portraits of Meghan or her husband, Prince Harry, further highlighting the perceived estrangement.

The Royal Collection, managed in trust for future generations, is a curated archive that typically features commissioned or donated portraits.

The selection process for this collection is influential, shaping public perception of royal figures and their roles. The exclusion of Meghan and her family members from such a significant repository may suggest a deliberate narrative about their roles and status within the royal family.

This strategic omission has provoked discussions about Meghan’s historical significance and the implications of her absence from official royal records.

Comparisons to fleeting celebrity fame, such as Kim Kardashian’s brief marriage, underscore the complexities of maintaining lasting relevance and impact within royal traditions. Additionally, the lack of images of Meghan’s children points to deeper issues regarding family dynamics and acceptance within the royal sphere.

Overall, the removal of Meghan Markle’s portraits from the Royal Collection raises pressing questions about her role and representation in royal history, sparking a debate about legacy, inclusion, and the evolving nature of public and royal perceptions.